Training the Voices In Your Head (Awkward Practice)

Pitch Perfect AnnouncersOne way to highlight the role of the Color Commentary Voice is to model it with students – both what it sounds like when it’s MISBEHAVING and what it might sound like when its’ COOPERATING. To do this, I ask for a volunteer with a strong reading voice to read aloud from something educational I want to cover anyway. I explain that they’ll be the Play-By-Play Voice, and should pause when I interrupt. When I shut up, the Play-By-Play should pick up where it left off. 

The first time, I’ll model an uncooperative Color Commentary, and ask them if this experience seems at all familiar. It might go something like this:

“Excerpt from Democracy In America, by Alexis De Tocqueville”

Why do the French always use so many letters we’re not even supposed to pronounce? 

“But in the United States the majority, which so frequently displays-“ 

What time is it? I wonder of Maddi’s texted me back yet…

“-the tastes and the propensities of a despot, is still destitute of the more perfect instruments of tyranny.” 

I’ll bet I can slide my phone out enough to check while everyone’s reading. It will just take a second.” 

“In the American republics the activity of the central Government has never as yet been extended-“

distracted

Nope. Crap – maybe I said the wrong thing. It’s stupid. If she can’t let a little joke go, who needs her? Is it lunch time yet? What time is this class over again? 

“-beyond a limited number of objects sufficiently prominent to call forth its attention. The secondary affairs of society have never been regulated by its authority,” 

Check that out. Lana in those tights. Or yoga pants. Whatever they are. Dang, girl! We should – oh, she’s looking back turn away look casual! Hmm hmm hmm… ‘regulated by its authority,’ yep.

“-and nothing has hitherto betrayed its desire of interfering in them. The majority is become more and more absolute, but it has not increased the prerogatives of the central government;” 

I forgot to ask Mom if I could go to Jackson’s after school. I should tell her it’s for a Biology project or something… no, she’d never buy it. History, maybe? If my stupid parents would just buy me Targeted Zone: Eternal Brimstone, I wouldn’t have to deal with Jackson and his stupid snorting and dumb jokes. 

“-those great prerogatives have been confined to a certain sphere; and although the despotism of the majority may be galling upon one point, it cannot be said to extend to all.” 

I gotta pee.  

STOP. 

Paired ReadingI’ll ask the room to tell me, without looking down at the passage, what my volunteer Play-By-Play Voice has just read. Usually they can tell me little or nothing. Maybe just the general subject? Anything jump out? 

Mostly, of course, they remember the yoga pants and the video game and having to pee. Does this experience seem familiar? 

Always. 

We all do it sometimes. Some of us do it most of the time when trying to read something that doesn’t particularly engage us, or that we simply don’t want to read. Sometimes it’s difficult even when we DO want to read it – we just have trouble staying focused, especially if the passage is difficult. 

We need to train our Color Commentator to work FOR us instead of AGAINST us. We don’t have to MEAN it when we begin practicing this – we just have to DO it. The more boring or tedious the passage, the more important it is to interact with it, focus intense interest on it, and intentionally do all of the things we’d do naturally and often unconsciously if we were really and truly engaged.

So we’re going to do it again – same passage, same Play-By-Play voice. But this time, I’m going to try to model what my Color Commentator SHOULD be doing. 

“Excerpt from Democracy In America, by Alexis De Tocqueville” 

OK, I remember this guy. Kind of. We’ve read other stuff from him – he travelled through the U.S. in, like, the 1830’s or so and wrote about what he saw. Seems to be considered a legit source of observation – with the perspective of someone ‘outside’.

“But in the United States the majority, which so frequently displays the tastes and the propensities of a despot-“ 

The majority – so, like 51% or more. We’re big on ‘majority rule’ in the U.S., but he’s saying sometimes that majority acts kinda like a dictator, which we DON’T like.  

“-is still destitute of the more perfect instruments of tyranny.” 

I’m not sure where he’s going with this. The majority sometimes has the same desires and tendencies of a despot… but is destitute – lacks – doesn’t have? ‘the more perfect instruments of tyranny.’ Huh. I don’t quite get this last part, but maybe he’s going to say even the worst elements of majority rule aren’t as bad as tyranny. I’ll look for clarification as I move on. 

Reading Partners“In the American republics the activity of the central Government has never as yet been extended beyond a limited number of objects sufficiently prominent to call forth its attention-“ 

OK, OK, think this through. The American republics – that’s gotta mean the U.S. and however many states there were in the 1830s. We’re before the Civil War still, so… 20? 25? Doesn’t matter. The central government is Washington, D.C. – the federal government. OK – the feds haven’t yet started worrying about anything except the big stuff – probably the stuff NOT covered by the Articles of Confederation… the Alexander Hamilton stuff – war, the economy, etc. Tocqueville is saying the central government only pays attention to big national stuff (although ‘as yet’ suggests it might eventually – wouldn’t HE be surprised today?) 

“-The secondary affairs of society have never been regulated by its authority, and nothing has hitherto betrayed its desire of interfering in them. The majority is become more and more absolute, but it has not increased the prerogatives of the central government;”  

OK, I was right. That is what he’s saying. Even with a… a… stronger, more homogenous majority (was the country becoming more the SAME in the 1830’s? I’m not sure about that…) the central government hasn’t started trying to control ‘the secondary affairs of society’. Not sure what they meant to Tocqueville, but it hadn’t yet started trying to control EVERYTHING in the name of the majority – just the most important stuff. There were plenty of individual rights – wait, no… plenty of states’ rights – left to be had. 

“-those great prerogatives have been confined to a certain sphere; and although the despotism of the majority may be galling upon one point, it cannot be said to extend to all.” 

I could look up ‘prerogatives’, but given the context I think he’s just restating what I said a second ago. The phrase ‘despotism of the majority’ is weird… it sounds contradictory, but reminds me of something… oh! Our teacher talked about the Founders fearing ‘mob rule’ – the ‘tyranny of the majority’! I don’t remember the details, but something in the Federalist papers somewhere talked about factions balancing each other so this wouldn’t happen. I wonder if that’s related to this… but I gotta pee.  

STOP. 

Interacting ChickenNow it’s time for the most awkward thing I’m going to ask them to do all year. We’re going to practice the process in pairs.

I’ll point out that the excerpt we’ve been using is divided into relatively short paragraphs (or chunks, or whatever). One partner will start as Play-By-Play, and the other as Color Commentary. At each paragraph (or chunk), they’ll switch. 

And yes, they should practice doing it the cooperative, useful way. Someone always asks. 

This part requires serious monitoring, and I stop them from time to time to make sure the Color Commentator voice is on topic and hasn’t simply fallen silent. It’s up to you how long to let it continue, but I don’t usually go more than 4-5 minutes. 

I assure you, it’s a very long 4-5 minutes. 

I only do it once, but for the rest of the year I can always refer back to it – “What are your inner voices doing?” It also leads nicely into annotating or ‘Marking Up’ the text – which is really just playing both roles yourself, on paper. Both support Cornell Notes, Dialectic Journals, or whatever other sort of ‘AP’ or ‘College-Style’ note-taking you might teach.  

Of course, this can be a pretty chaotic, awkward process. Sometimes I’d rather do it slightly less awkwardly…

RELATED POST: Training the Voices In Your Head (Intro)

RELATED POST: Training the Voices In Your Head (Slightly Less Awkward Practice)

Training The Voices In Your Head (Intro)

Inner DirectorLet’s talk about the voices in our heads. 

We all have them. For some, they may become so pronounced as to become a distraction, or require some outside help to control, but let’s not fool ourselves – most of us have at least a few up there, vying for attention. You may remember the classic 90’s educational program on this subject, Herman’s Head:

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At the moment, however, I’d like to focus on the voices primarily involved in reading. I am NOT a ‘reading specialist’ – and my science is subject to challenge (you did notice I cited a Fox Sitcom by way of evidence just now, yes?) – but I DO have some experience working with students who think they’re poor readers (but don’t have to be) and modeling effective reading strategies with teachers who, well… didn’t sign up to teach reading. 

Seriously – we didn’t know that was going to be a thing. We thought, you know… they’d come to us knowing. 

But they don’t – at least not all of them. We can wring our hands and point our fingers and lament how wonderful students used to be in whatever our golden age of false memories happens to be, but for now let’s look at a few basics that might be helpful for US – with OUR students in OUR subject right now. The one we DID sign up to teach. 

(Yes, yes – we teach ‘students’ not ‘subjects’ and all that. You get my point though… don’t quibble.) 

Ralph & RazorIf you watch sports at all, you know there’s a minimum number of announcers necessary to properly call any event, match, or game. Sometimes you’ll get a half-dozen or so in the studio, and another three or four in the booth, but they’re extra. Look past the fluff, and at the core you’ll almost always find two main roles – Play-By-Play and Color Commentary.

The Play-By-Play guy tells you what’s happening on the field/court/ice, even though you’re watching it at the same time. Sounds redundant, yes? But if you’ve learned your favorite sport by watching it on TV, then someday go to a live game, you’ll miss this guy. 

We apparently like being told what’s happening while it’s happening. The Play-By-Play guy helps keep things clear and focused on the narrative of this game, right now. It’s all about the play, ‘bout the play, no color…

All About The Bass

Inner ThoughtsThen the whistle blows, or the buzzer sounds, and the action is momentarily paused. This is where the Color Commentator guy jumps in to discuss the strategies recently employed in the contest – in the action just called. He talks about the players involved, their backgrounds, recent injuries, etc. He’ll explain what the coach is hoping to accomplish by whatever decisions he’s made, or otherwise fill in context and personality to the actual play occurring before and after his interpretations and insights.

The Color Commentator is why those of you watching favorite teams over a period of time begin to feel like you KNOW them, why each player has a personality to you, and you feel a connection to them. They’re why we’re able to believe we’re in some way connected to these athletes – like all that’s lacking for us to order a pizza and drink some beer together is opportunity. “Is that you, Antoine Roussel? Get your crazy French *** over here and have some of these chili fries! Waiter? Another Keystone!’

Color Commentary brings the game alive and gives it meaning. Then action resumes, and Play-By-Play is off and running again. 

The roles aren’t quite that delineated in practice, but that’s the general idea. We find this basic setup in everything from Stanley Cup Playoffs to local high school football broadcasts on deep cable, so it must resonate across specifics. There must be something about it we find necessary to fully enjoy the game.

It’s the same when we read. 

Most of us have a ‘reading voice’ that scans the strange scribbles on the page or screen before us and translates them into words, which it then ‘reads’ to us. The spoken word came long before the written in world history; alphabets are tools to echo speech – not the reverse. 

You’ll sometimes notice young readers or those struggling with a passage or still learning a new language moving their lips as they read. That’s why. 

Harry Potter CharactersThe ‘reading voice’ we hear is usually our own. If you’re reading a book by Oprah Winfrey, you probably ‘hear’ it in her voice. When I re-read Harry Potter, I tend to ‘hear’ the characters from the movies when their antecedents have dialogue in the text. But most of the time we’re our own Play-By-Play voice – we read to ourselves without consciously recognizing it.

Then there’s the other voice. The one we have to watch out for. It can be an essential ally or our greatest distraction. 

Have you ever finished a page only to realize you have no idea what you’ve just read? That’s because while your Play-By-Play was chugging along faithfully, it was drowned out by whatever your Color Commentator voice had on its mind. Those calls you were supposed to make, the laundry you’re behind on, what to have for dinner, whether or not the Bachelorette will make the ‘right’ decision… our color voice is a varied and fascinating creature.

The reason cell phones are the devil is that they appeal to the worst part of our Color Commentary voice – that inquiring, connection-seeking, narrative-forming, wondering-wandering voice. The constant, chaotic connection allowed by your average smart phone is Color Commentator crack.

Brain VoicesReaders who struggle with Play-By-Play need specific reading instruction and assistance. We do our best to prop them up with vocabulary previews, anticipation guides, or whatever, but our bang-for-the-buck is going to be limited with them. We’ll keep doing what we can, but the Play-By-Play skill is a long time developing and only gets harder to ‘fix’ as we get older – especially without willing application.

But many of our readers can Play-By-Play just fine. They call out words with the best of them, although their inflection is usually lacking. They read with confidence, and assure you they are ‘DONE!’ 

When you ask what they’ve read, though, or probe for some detail or connection therein, they have no idea. What’s worse, they may not even recognize that this is a problem, or believe it’s in their power to address. Many wouldn’t know how to do so if they did. That issue lies with their out-of-control Color Commentator – wherever he or she happens to have gone while they read. 

That’s what we’re going to work on next. 

A Little Man In My Head

RELATED POST: Training the Voices In Your Head (Awkward Practice)

RELATED POST: Training the Voices In Your Head (Slightly Less Awkward Practice)

Pre-Reading Rationale, KWL, and Anticipation Squares

Warming Up

Pre-Reading Assignments (Overview)

I hate any moment in any training that begins with some variation of “Here’s the old stupid way to do things that you’re probably all doing but thank god I’m here now to set you straight.” Only slightly less offensive are over-simplified flow charts of what you could be doing in your classroom, as if teaching were little more than a 3-stage Rube Goldberg machine.

And yet, I present… triangles:

Pre-Reading Triangle Old

This is how things can go if we’re not careful.

Pre-Reading: We start a new unit or topic with minimal introduction – “When you’re done with your quiz over Chapter 13, turn it in and start reading Chapter 14.” If we’re feeling particularly pedagogical that day, we might even add, “It’s about Greece.”

During Reading: Students hunt for the answers to the assigned questions at the end of the chapter or check their text messages to see if anyone from the previous hour has posted their completed assignment yet. (Hopefully it’s that kid whose answers never make any sense but half the class copies them anyway.)

Post-Reading: The teacher tries to discuss the material the next day, or gives a short quiz, or assigns a group project based on the content, etc. Big shocker, though – no one knows anything they’re supposed to! So, the teacher spends most of their time trying to remediate or spoon-feed or berate their little brains into learning.

But here’s something closer to what most of us try to do these days:

Pre-Reading Triangle New

Pre-Reading: The total time available hasn’t changed, but we try to “pre-load” more – we preview vocabulary, or take time to establish connections to what’s already known, or to students’ lives. We scaffold the crap out of these darn lessons, in hopes of minimizing repair time later on.

During Reading: Ideally, time spent actually reading or watching or otherwise “learning” the content is more effective thanks to this brilliant scaffolding. Plus, students are now fascinated and hungry to learn more because we’ve stimulated their interest in the subject matter with our nimble pedagogicalizing.

Post-Reading: Hopefully this now consists of either a brief assessment to verify understanding or some sort of enrichment or connection to other subject matter. From time to time, something artsy-fartsy is involved.

Distractions

Why Pre-Read, Pre-View, Pre-Think, Pre-Whatever?

Keep in mind that while you may teach the same basic subject all day, every day, students have an annoying habit of leaving our room after an hour or so to go to, say… math class. There, they do MATH for an hour, which helps your efforts very little. From there it’s English or Science or P.E. or Art, all fine in and of themselves, but none of which directly support YOUR content on a regular basis.

They go home at some point, often with the solitary goal of blocking out any thoughts related to their day in school. Even if they do a bit of homework, they SLEEP afterwards – effectively rebooting the entire machine before rolling back into your room 23 hours later!

No wonder they have no idea from day to day what’s going on. It’s maddening.

Time spent making connections, previewing vocabulary, or building interest (or helping them fake it, at least), doesn’t necessarily add to the total time you spend on a unit. Even if it does, I respectfully suggest it’s better to anchor and help students retain less information than to blow through some impressive quantity they’ll never recall or know how to apply if they do.

KWL Charts

You know this one – it’s been in every teacher training curriculum since Horace Mann first required your Normal School Certificate be hung on the wall before presenting you with the Teacher’s Edition of that McGuffey’s Reader.

When introducing a new subject, we start with what students already Know. Then, what do they Want to know? After the unit – or lesson, or chapter, or whatever – what did they Learn? Some add a ‘Q’ for further Questions.

There’s nothing wrong with going old school. Just because something’s vintage doesn’t mean it’s not useful. Classic rock commands at least one station in every market for a reason, right?

I prefer a variation of this which I think I stole from someone along the way, but have no idea when, where, or who. Sorry if took your rectangle.

Anticipation Square

The TOPIC being introduced goes in the center.

The top left section is for what students already know, just like with a KWL chart. Whether we’re practicing this together, doing them in small groups, or occasionally working individually, I insist this be filled one way or the other. They know SOMETHING – and usually more than they think or will admit. We will just keep coming up with stuff we know until it’s full – no matter how long it takes. This is a ‘mindset’ thing that’s a pain in the learning but pays off down the road.

Spoiler Alert: Sometimes it’s a bit further down the road than we’d like.

The top right section is somewhat dysfunctional in nature – and that’s OK. In this section we write any feelings or opinions we have about the upcoming subject, OR things we think we might know but aren’t entirely sure of. If we’re doing the rain forest, for example, this is where the good little activist children tell us that we must save the rain forest and that every time man cuts down a tree, the fairies cry. It’s also where the kid whose parents insist there are more square miles of forest now than ever before in history gets his say.

Students may not have strong preconceptions or feelings about, say, major geographical formations – but they can guess which are found where, for example, or even how many there might be. This is very much a ‘safe to be wrong’ box. Fill it up.

Aristotle Quote

Lower left is for what they WANT to know about the subject. I taught 9th grade forever, and I can tell you the most common response to this without further prodding: “Nothing. We’re good. Can we move on?” So, as always when learning new skills, we’re gonna overdo this baby and fake it. Legit-sounding question after probing inquiry until even WE believe we care deeply. As Aristotle said, “Fake it, ‘til you make it.”

Lower right COULD be the one you come back to with what you learned. I don’t do that, because I’m not organized enough. More often than not, by the time we get to the ‘end’ of a unit, I’ve forgotten I have their three-quarters-completed squares in a file somewhere waiting for this moment. Or, I’ve let them hang on to them and half of them have no idea where they are. So I do pictures.

In the lower right section, draw a picture of something you believe represents the topic in the middle circle. Sometimes I’ll give further guidance – when we do ‘Oil Boom’, they’re not allowed to draw an oil well, for example. Otherwise, it’s all fair game.

Once they know how to do these and expectations have been established, these can be done individually, in pairs or small groups, or as a class. They make good bell-ringers, or you can easily check them merely by walking around the room as they work.

Overworked Teacher

As a bonus, prep time is minimal and grading is easy for these. That should never be our primary concern, but there’s nothing inherently evil about it. Don’t worry – you’ll still find yourself overwhelmed by the endless hours spent on some other element of your teaching.

BCE Anticipation Square (PDF)

re: Your Brains (APARTY Sample Song)

If you haven’t read my explanation of the “Mr. Miyagi” approach to document analysis, you might want to check that out first – otherwise this page probably won’t make as much sense.

I change songs from time to time just to keep myself interested, but here’s one I used successfully off and on for years – “re: Your Brains” by Jonathan Coulton.

I don’t have any particular rights to use this one any more than I do anything else, but Coulton is that modern troubadour sort who’s generally pretty cool about his music being used as long as properly credited. If you decide to use this or any of his stuff (he has several that work) in class, you should cough up your 99 cents or whatever and buy your own copy. It’s the right thing to do.

Here’s an audio only video of the song from YouTube followed by the full lyrics…

re: Your Brains

Heya Tom, it’s Bob from the office down the hall. Good to see you buddy, how’ve you been? Things have been OK for me, except that I’m a zombie now – I really wish you’d let us in.

I think I speak for all of us when I say I understand why you folks might hesitate to submit to our demands. But here’s an FYI: you’re all gonna die screaming…

All we want to do is eat your brains – we’re not unreasonable, I mean, no one’s gonna eat your eyes. All we want to do is eat your brains – we’re at an impasse here, maybe we should compromise: if you open up the doors, we’ll all come inside and eat your brains.

I don’t want to nitpick, Tom, but is this really your plan? Spend your whole life locked inside a mall? Maybe that’s OK for now, but someday you’ll be out of food and guns… and then you’ll have to make the call.

I’m not surprised to see you haven’t thought it through enough; you never had the head for all that “bigger picture” stuff. But Tom, that’s what I do, and I plan on eating you slowly…

All we want to do is eat your brains – we’re not unreasonable, I mean, no one’s gonna eat your eyes. All we want to do is eat your brains – we’re at an impasse here, maybe we should compromise: if you open up the doors, we’ll all come inside and eat your brains.

I’d like to help you Tom, in any way I can. I sure appreciate the way you’re working with me. I’m not a monster, Tom – well, technically I am… I guess I am.

I’ve got another meeting Tom, maybe we could wrap it up. I know we’ll get to common ground somehow. Meanwhile I’ll report back to my colleagues who were chewing on the doors – I guess we’ll table this for now.

I’m glad to see you take constructive criticism well. Thank you for your time I know we’re all busy as hell. And we’ll put this thing to bed when I bash your head open…

All we want to do is eat your brains – we’re not unreasonable, I mean, no one’s gonna eat your eyes. All we want to do is eat your brains – we’re at an impasse here, maybe we should compromise: if you open up the doors, we’ll all come inside and eat your brains.

There’s no script for how this discussion unfolds, although I summarized the basic steps previously. The overall approach we’re modeling is one of unpacking the whole by starting with the pieces.

I play the song once for general overview, then again while students identify words or phrases which might be important but which not everyone might know. When it ends the second time, I ask for word or phrase that might be important but unfamiliar, and we build from there.

Often someone mentions “impasse” as a term not everyone might know, so we discuss it – what is an ‘impasse’? What’s the impasse in this document? Maybe the next term brought up is “compromise”, so we discuss.

This particular document has some interesting phrases usually thought of as cliches of the business world – “table this for now” and such. We discuss denotation as well as connotation, and at some point I transition to asking questions that will lead me into introducing APARTY or SOAPSTone, or whatever other document analysis acronym I want to use.  Here I’ll use APARTY elements (Author, Place & Time, Audience, Reason, The Main Idea, Yeah – So What?)

“What can we tell about the Author based on this document?” Because we’re treating this as a legit document, I don’t mean Jonathan Coulton – I mean the ‘narrator’.  If I’m not already recording information on the board, It’s important to start doing so with this step. A common first response is that he’s a zombie. “How do you know?” “Show me.” Students will point out lines from the document in which he admits he’s a zombie, and that he wants to eat brains, etc. I ask for other specifics from the document which support or refute this interpretation, and eventually ask how strong our inference is that the author is a zombie. In this case, it’s pretty strong.

What else? (His name is Bob, he works with Tom, he likes brains, he’s a bit condescending, he seems to be the spokesman or leader of the other zombies, etc.) The important pattern to be established here is the “show me” element – why do you think so?. Justify it. What evidence supports or refutes this inference? How strong is our inference here?

It’s OK to have weaker inferences as long as we recognize them as such. A case can be made that Bob is a former underling of Tom’s now parroting back snarky things Tom used to say or do, now that he’s in a position of some power (as a monster and all). This is a plausible and reasonable inference, but without more information it’s a much weaker inference than, say, the idea that Tom is the spokesmen for humans in a mall with locked doors, food, and guns.

We work through the other elements in similar fashion – what can you tell me about the Audience for this document? How do you know? What clues are there as to Place & Time? What’s the Reason this was written? (It’s intended to persuade.)

You remember how crazy it used to make you when your math teacher would make you show your work? Part of why they do this, even when the problem being solved is relatively easy and you don’t really need to, is they want you to become comfortable with the process. They know eventually the problems will grow much more difficult, and it’s important you be comfortable with the steps most likely to help you solve them. That’s all we’re doing here – practicing an approach. Don’t worry – the documents will get much more difficult very quickly.

This is also a chance in class to model and become more comfortable with productive, professional disagreement. One student may infer that Tom is clearly trapped in an office of some sort, and point to lines which seem to indicate that to be the case. Another student may then argue that while they know each other from the office, they’re clearly in a mall of some sort, and point to evidence supporting this understanding instead. That’s exactly what we want to happen, and for students to be comfortable being wrong, or disagreeing, without it ever becoming personal.

NOTE: I find that both students and teachers have trouble with The Main Idea. This should be a one sentence summary of the what the document SAYS. Most students and teachers want to tell me what it’s ABOUT – which is not the same thing. I respectfully suggest it’s worth the extra time spent in small groups and as a class wrestling with and refining The Main Idea – this will pay off later. FWIW, my Main Idea for this particular document would be something along the lines of, “Tom, this is Bob and I’m a zombie now; I get why you want to resist this, but we’re going to eat your brains and it would make things better for everyone if you’d just accept this and open up.” There are probably better ones and shorter ones, but this one at least conveys the guts of the document in a single sentence.

As we transition into doing an APARTY (or SOAPSTone) over real primary sources, I suggest students shoot for one full side of one page for their analysis. This requires more than some shallow scribbling, but still keeps things at a concise, manageable length for both them and you

If your kids are like mine, you’ll have to push them a bit the first few times. Don’t tell me “Publius” was the author and stop there – tell me that really James Madison wrote it, and who he was, and why HIS opinions about the new Constitution might matter, etc. Don’t tell me the cartoon was created in 1978 and move on – tell me about the energy crisis and public perceptions of President Carter and why their are peanuts and that scary rabbit in the foreground, etc. (The exception is The Main Idea segment, which should – as the term suggests – be simply the main idea, most likely a sentence or two at most.)

I’ll leave you with several other songs I’ve used over the years to introduce basic document analysis. I sometimes use lyrics videos, but don’t generally use actual music videos since a large part of the exercise is about pulling meaning from text. If there are visuals, students will naturally be drawn to those first and that kinda misses the point of this particular activity.

For purposes of sharing online with other educators, however, linking to YouTube is simply too convenient to pass up. Obviously if you use a song in class, you should legally purchase an actual download so you can sleep at night.

APARTY (Document Analysis) – PDF

APARTY (Blank for Assignments) – PDF

Good APARTY Examples – PDF

Bad APARTY Example – PDF

SOAPStone (Document Analysis) – PDF

HIPPO (Document Analysis) – PDF

My Five Big Questions (Essential Questions in History / Social Sciences)

Most of us are assigned some fragment of curriculum to teach with far too little time to cover it adequately. It’s the nature of public education, perhaps even a necessary evil. I’m not sure what a class would look like that claimed in a fluid whole to cover all of known history, everywhere in the world, since we first wiggled forth from the primordial ooze. 

The textbook would be huge – even without ancillaries. 

Big Book

We should take intentional time, however, to step back from the specifics of whatever we’re covering and make sure we’re connecting those specifics to parts of a ‘bigger picture’. Done regularly and well, this does several things:

House of Cards(1) It makes history more meaningful and provides context, connecting various subjects under the ‘Social Studies’ umbrella all the way through today. Think of your favorite episodic TV show (’24’, ‘House of Cards’, ‘Game of Thrones’, etc.)  Any given episode may have individual meaning and value, but that meaning and value increase dramatically if you understand the overall story arch.  

(2) It makes content ‘stickier’ by giving it a place in an overall theme. Most information is much harder to retain in fragments; we can recall gigabytes of crap if it’s part of a story, a larger idea, or an album we loved in the 1970’s. 

(3) It helps students see Cause & Effect, Change Over Time, and all those other ‘Big Picture’ relationships. Here I’m referring to something more specific than in the first point. For example, the desire to reform or improve society is recurring in American History. The Progressive Movement has things in common with the Age of Reform in the 1820’s and 1830’s, but also traits which were different. In some ways it led to the New Deal, in other ways FDR was dealing with very different problems. 

Elder Scrolls IIEven a general awareness of these connections and relationships makes the specifics of each event richer and more meaningful. That in turn makes information easier to understand, recall, and apply. Any kid who’s played a ‘series’ of video games like HaloFalloutAssassin’s Creed, etc., can appreciate this connectivity.

Step back a bit further, and gamers easily recognize similarities and differences between these series as well. We’ve come a long way from Mario jumping on mushrooms, but there’s still almost always a ‘Big Boss’ at the end of each ‘story’ or ‘level’ who must be defeated to save whoever or whatever it is we’re saving this time. 

All rock’n’roll is the same but different, as are all buildings, all chain restaurants, or all game shows. It’s all about making the connections. 

So, ‘essential questions’… 

There is much written on this topic, and several rather involved and grandiose schema of exactly which questions are or should be ‘Essential’. I’m not that fancy, so I’m going to share and briefly discuss the Five Big Questions I’ve used in class for years. It’s up to you to choose them, adapt them, or replace them as you see fit. I’ve also shared my favorite article on the topic on the Classroom Resources version of this post.  

I keep these posted on all four walls and refer to them regularly throughout the year, whether we’re in American History, American Government, or even the strange wonderland of Oklahoma History. My personal rule is that if I don’t connect what we’re discussing to one or more of the questions, students may ask at any time which of the Five are relevant to the topic at hand. If I can’t respond and explain the connections without having to think about it, they don’t have to do it or know it. 

But that’s just me. 

EQ1

This is one of the easiest to see in action – any time period, any topic, on any scale.

In any given family – who makes the decisions? If there’s an effort to share that responsibility, who really makes the call when there’s an impasse?

In any school – who’s really running the place? Is it the building principal? The secretary? The math department? The teachers’ union? The angriest parents? How much sway do each of them really have?

In any classroom – who’s in charge, and how in charge are they? How much power should classroom teachers have? How much should they exercise, and in what circumstances? Which less-obvious sources of power and influence are in play in some classrooms, and how can you tell?

Early American History – who’s in charge, the Colonies or England? The Federalists or the Anti-Federalists? The States or the Central Government? The Executive, the Legislative, or the Judicial – and in what mixture?

The Civil War was all about this question. Eventually it became a world issue.

In the 21st century we’re still arguing over the powers of the President vs. Congress vs. the Courts. How much power should money give you? Fame? Family name? Your religion? When is a crime or a conflict a local matter? A state issue? Time for the federal govenrnment to step in?

EQ2

When Jefferson first wrote that “all men are created equal, and are endowed by their Creator with certain unalienable rights,” it was widely assumed that “all men” actually meant “all wealthy, educated, white, actually born-as-males-and-still-males men.”

Over time, that definition has evolved to include those who aren’t so wealthy or aren’t so educated. After the Civil War, they no longer had to be white – although the rights on paper came much sooner than the realities in practice. Eventually they no longer had to be men – “all men” was read to mean “all of mankind.” 

Most of the historical examples of this question in action are obvious – slavery, women’s rights, the Civil Rights movement, A.I.M., Japanese-American Internment Camps, etc.

But we’re still trying to figure out today who “all men” are. Many don’t believe that “all men” created by that Creator with a big ‘C’ deserve unalienable rights – although if Jefferson was correct, that may not be up to us. (The real question might be whether or not we’re regularly violating rights they unalienably have but we refuse to acknowledge – ironic, right?)

Are undocumented immigrants “all men”? To which rights should they be entitled? If we educate their kids, what are the pros and cons? What if we don’t? If we provide emergency medical care or basic health services, what are the results, good and bad? What are the results if we don’t?

Do black people deserve due process even if they’ve committed some sort of crime? Should white athletes with SO much potential be held to the same legal standards as people who can’t swim as fast?

What about same sex marriage? What about Muslims – are they “all men” endowed by their Creator with certain “unalienable rights”?

What about people who aren’t American citizens at all? Should it be OK to torture or hold without trial as long as we do it off-shore? Perhaps Jefferson meant “all men within a certain latitude and longitude”?

This one’s HUGE. We’ve argued about it a great deal and fought about it more than almost any other issue. 

EQ3

Americans have always had a sense of purpose or calling, something beyond a paycheck and clean water to which they aspire. But what is it, and how has it changed?

Is it about a set of ideals by which men should live – a chance to prove that a government founded on the proposition that all men are created equal can, in fact, long endure?

Is it about land and opportunity? Westward expansion? 40 Acres and a Mule?

Is it about freedom or other basic protections? Access to health care, education, or personal safety?

Is it about power? Fame? Wealth? Notoriety? Striking oil? Winning the lottery?

Maybe just a little 3-bedroom house with a dog and a white picket fence? Love? Netflix? Being the first to own the iPhone13? 

Is the guy who jumps up and down behind the local reporter and waves his arms claiming his little slice of the American Dream? The people who try out on American Idol or other ‘talent competitions’? Or is it being lived out by everyone able to walk into a pretentious little coffee shop and order a $10 cup of something hot they can’t pronounce, changing at least one of the ingredients as they order just to prove they can? 

This one matters because we pass a lot of laws claiming to promote the ‘American Dream’, and we devote a great deal of personal time and energy into pursuing it. Both might be more productive if we could first figure out exactly what it is

EQ4

This was an issue from the beginning. There were a number of irritants leading to the American Revolution, but the Proclamation of 1763 – “Don’t you dare go past those mountains!” – was certainly among the most important.

What about Manifest Destiny? Indian Removal? War with Mexico?

What about Imperialism? Walking softly but carrying a big stick? The Monroe Doctrine or the Roosevelt Corollary?

What about Isolationism, WWI, WWII?

What about the Cold War, and fighting communism in Korea, then Vietnam? 

What about the ‘War in Terror’? How much should we be involved in the Middle East or anywhere else, fighting who and for what purposes?

How far should we go to recreate other cultures and other governments in our own image, or else?

EQ5

This is one of the easiest for my kids to grasp when we’re talking literal freedom and physical security. I respectfully sugggest, however, that in reality this one is just as important socially, and economically, as it is militarily or legally. 

If you have a cat or a dog, you have to decide whether to keep it safe or give it some freedom. Inside, it’s less likely to get weird diseases or get hit by a car. Outside, though, it’s able to do the kinds of stuff cats and dogs actually like to do. Even inside the house they’re not completely safe – not telling what sorts of trouble they’ll get into when you’re not home. The safest place for them is a small kennel, placed in the tub, inside a central bathroom with the door closed, 24/7. There is a small trade-off in terms of their happiness, however. 

Most of my kids’ parents are trying to find this balance with their little darlings – how much freedom do they give their student to decide when or how to do homework? How to handle a problem at school? Do they have curfews? Bedtimes? Do you try to limit who their friends are? How long can they go without calling? Helicopter too much, and your kid grows up useless and either afraid or confrontational; give them too much leeway, and they might fail a class or fall in the wrong crowd. You don’t want to tell them who to fall in love with, but you’re also hoping to prevent pre-marital spawning if at all possible – probably because of your outdated and oppressive morals. 

The safest place for them is a small kennel, placed in the tub, inside a central bathroom with the door closed, 24/7. You’ll want something to muffle sound so your neighbors don’t call the police, however. 

Teachers wrestle with similar concerns, although along a narrower spectrum – to what extent do I let students choose what to read? Whether or not to do homework? When to turn stuff in? Too much guidance, and we kill any joy in learning; too little, and there’s no learning to begin with. 

We see it easily throughout American History:

The Articles of Confederation – lots of state and local freedom / insufficient national security or coherence to hold the nation together.

The Alien & Sedition Acts – largely a political maneuver, but still asking valid questions about how far free speech and acceptance of “foreigners” should go if national security appears at risk. We’re still asking this one. 

Martial Law during the Civil War. Free speech during the ‘Red Scare’ and various War Protests. And pretty much everything related to Edward Snowden and the so-called “War on Terror.”

Because if the feds can’t turn on your daughter’s laptop camera while she’s changing without a warrant and without her knowing, the terrorists have won. 

But it’s equally difficult when we talk social issues. The Scarlet Letter condemned society’s judgmentalism over adultery, but does it benefit society to promote loose sexual morals? Can we both discourage single motherhood and support single mothers? Can we accomodate poor choices and bad behavior without encouraging more of the same?

There are pros and cons to sexual freedom, to legalizing drugs, to letting people eat, smoke, or drink whatever they want. Rare is the situation in which your choices simply will not impact me in the least, however personal they may be.

If I’m standing in the middle of your neighborhood street naked, pleasuring myself, I can SAY you simply shouldn’t look if you don’t like it – and I’m truly NOT hurting you or anyone else – but you could still argue that you have some right to inflict your uptight outdated morality on me for reasons beyond physical or fiscal harm. What I smoke or eat or drink shouldn’t be up to you either, but if you’re responsible for my health care or other public services, maybe you should have a voice. Domestic violence impacts all of us, as does how well you raise your child. Maybe people who wish to get married or reproduce should be required to seek community support first – after all, what they do will impact those around them dramatically for the next two decades at least, right?

It’s complicated, and if reasonable balances can be found, they’re still likely to change regularly based on societal norms and circumstances.

I’d love to know which Essential Questions you use or would consider for your class, and why. You’re welcome to them if you like them, or you can modify them as you see fit. If you don’t have ANY, however, I’d encourage you to think about trying to come up with some. After all, if there are no guiding themes for whatever you’re teaching, why exactly are we bothering to begin with?

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